recent painting process

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In this last series, I wanted my canvases to be thick with layers, I wanted to allow each of them through. On some occasions, I began by applying a think coat of gesso with a palette knife or cardboard and create subtle waves of texture/thick paint. Then I apply a thin background color. In other paintings I used newspaper for texture as well. I also used spray paints and stencils for patterns in some layers. I do have a tendency to paint too thick, so I lost some layers after a while… I then make a rough drawing with a thin brush to get the main shapes and idea down. I begin with thin layers of paint and start working in the color. At the end I remove the scotch tape I placed in the beginning layers so they peek through, like this.

how to: clean your brushes

One might think that there is no science to cleaning brushes, but If you want long lasting painting brushes, here are a few tips. After finishing your painting, or taking long brakes (many hours or days), clean the brush throughly with turpentine (oils) or water (acrylic). When removing the paint, don’t rub the brush hard on the bottom, this will brake the bristles and damage your brush quicker. Just soak it in the solution and pad it on the insides of the container to remove excess. then use a brush cleaner (Lava soap or special brush soap) using the same technique from before to remove paint. Once the brush is clean, dry it with a cloth or paper and straighten/flatten the bristles with your fingers. No need for it to be 100% dry, it can finish drying once put away.

sidenote: With oil painting: the main issue I remember when learning how to paint with oils is that you need to keep your brushes clean in-between color, or keep (different) colors separated by brush… if not, you will get mud very quickly…and frustrated even quicker.

Kara Walker (and others) at the Whitney

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I went to the Whitney this past Saturday to view the Kara Walker exhibit, and also ended up viewing other exhibits as well. But I’ll only chat about hers right now. The show is titled “Kara Walker, My Complement, My Enemy, My Oppressor, My Love.”

Wasn’t sure what to expect, until my friend Ivan warned me before hand. Controversial. Thats the word I would use to describe Kara’s work. The content is a bit disturbing to say the least. And it will stir up your emotions. Supposedly she is not liked by many African Americans, even though she is herself black. And I can see why. She touches on social and political views on racism and slavery with blatant raw imagery and crass humor. She uses all mediums to convey her message; from cut out silhouettes to paper on canvas, drawings, ink, video, projections and collage. Her work also ranges from words on paper, to narrative video using her silhouettes. Here’s a quote from “Conversations with Contemporary Artists: Kara Walker“, a MoMA Online Project.

“I knew that if I was going to make work that had to deal with race issues, they were going to be full of contradictions. Because I always felt that it’s really a love affair that we’ve got going in this country, a love affair with the idea of it, with the notion of major conflict that needs to be overcome and maybe a fear of what happens when that thing is overcome. And, of course, the issues also translate into [the] very personal: Who am I beyond this skin I’m in?”

In my opinion, when something triggers raw emotions and thought, I believe its true art. This exhibit is definitely not suitable for everyone, but a must see.

note: click on the image above to view more images from my museum trip.

the darkroom

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I am obsessed with it. i can spend hours in there…..days even! *sigh* I haven’t used one since I moved from California. I was super lucky to have lived with a photographer who had built her own darkroom at the art loft….I lived above it, literally, on the roof of the darkroom. Some days I would easily spend 8 hours. I guess I share a love for cameras like my grandfather (mom’s side). He liked to collect them. I have been collecting cameras for 5+ years… Off the top of my head, I have….30+. they range from a 1904 brownie, to a 2007 canon sd. One of these days I will list my cameras on this blog. Some people (*ahem*, lorenzo) don’t believe I own that many….. 🙂 As you can tell, I have total love, respect and passion for cameras, film and the darkroom. I have a full darkroom put away at my parents garage in San Diego. sooo far away….. Once I have the space in NY to build it, i will bring all my things out. meanwhile, I need to find someone with one they don’t mind sharing (emailll meeee). I have asked around the city, and the cheapest is ABC no Rio for 6$ an hour. I believe they are renovating, so might be out of service for a bit. Otherwise, gotta look into paying about 15-20$/hr average for a darkroom in manhattan. If you have any questions about darkroom experiences, ask away. or if you would like a certain ‘how to’, just let me know. And if you know of anyone who has a darkroom available, please let me know. I will supply chemicals and paper , etc etc….

Richard Serra at the MoMA

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I went to the MoMA a few months back to check out the Richard Serra sculpture exhibit. His very large steal pieces are overwhelming. You need to experience them yourself. The weather took a beating on the outside sculptures, which created beautiful textures and colors on the surface. The massive organic shapes would create a certain spacial sensation. While walking through it, it felt as if I was riding a wave. Having trees fall over the work, and the light hitting it at certain angles was a beautiful sight. Something so massive and simple, yet so rough and grand. Once inside the exhibit, the huge terracotta color works stood out dramatically against the stark white room. People were tiny compared to the space. It was quiet in the rooms. I noticed how people where taken aback once they walked in, and enjoying the experience that these simple and impressive forms where giving all of us. I really enjoyed Serra’s work, I would love to see it out on the streets and the parks. Did you get a chance to see it? What are your thoughts…

artists wanted!

I will be featuring artists once a month. So if you are interested on being part of daydreampilot, send me 2 images of your work and a small paragraph. you can write anything you’d like, just keep it art related. send the images and all your info (name, website and contact information) to daydreampilotblog {at} yahoo .com . ~mari

banksy

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I had a chance to go to the ‘banksy nyc’ exhibit at the Vanina Holasek Gallery in new york city. I had no idea he had nothing to do with the show.. but once I walked in, I noticed it was ‘set-up’ kinda cheesy…90% of the work were prints and maybe one or two street pieces (a locker door and sign). There were fake rats all over the place, splattered paint on the walls and caution-tape all over. The pieces were hung crooked and some had ripped bubble wrap around them….the gallery was selling posters, t-shirts and christmas cards (25$)!.
I much rather see banksy, or any graffiti artists, on the street. I know its much harder in the U.S., but I did have the opportunity to see some of his rats in LA a few years back. Having a show where the artist has nothing to do with it, kinda threw me off, specially when they tried so hard to make it look legit. it was weird. I did enjoy seeing things with my own eyes, as I would with anything, but would have rather been at his LA gallery show or stumbled upon it on a walk.

click image above to view my flickr set of the exhibit.

prima volta

daydreampilot is a place for ideas. a place where you can view the things i find interesting. things i run into. things i experience. art. music. museums. gallery exhibits. drawings. paintings. photography. friends art. graffiti. processes. progresses. creativity. advertising. art nights. craft nights. doodles. master pieces. anything and everything i see. i will post a often as i can. good or bad. don’t hesitate to share your knowledge, thoughts, opinions and ideas. ~mari